Thursday, 15 December 2011
A list of possible expenses when planning an exhibition
catalogues, sales of drinks or funds raised from sponsorship grants or fund raising events for example.
Rent/rates
Electricity/heating
Building insurance
Publicity;
Invitation cards
Posters
Catalogues
Photography
Listings in newspapers/magazines
Framing/mounting
Transport/packaging of work.
Private view:
Wine/beer, non-alcoholic drinks
Food
Glass hire/breakages
Hanging/presentation tools
screws/plugs/level etc
Insurance of work
Miscellaneous:
phone calls,photocopying,
stationary,travel
Help/assisstance
Documentation
Contingency:
Be prepared for unseen costs that arise and allow a reasonable contingency of maybe 10% of the total cost.
Thursday, 8 December 2011
Just an idea
The idea was to produce a framed panel that would have the face and hand of a muse attached to it.
The hand could hold anything that relates to the art that the muse represents. This could be a book of poetry, a scroll or a musical instrument for example.
The background panel could also be painted or decorated to illustrate which muse is being represented, using images that respond to the museum's collection.
We discussed producing nine of these to be displayed on each of the pillars on the ground floor.(But we would produce only one in reality, as an example for the purpose of this project.)
These casts were made using mod roc molds of a hand and face which were then cast in plaster.
The face is unfinished and needs to be trimmed and polished ready for display.
Grayson Perry at the British Museum
See other related videos from the British Museum after this clip.
Interrogating non-traditional space
This would be a good space to display a centre piece for our exhibition.
Click on images to enlarge.
A view of the sky lights from the central position on the ground floor.
A great space for a hanging display.
A view of the first stair case from the ground floor.
A good space to exploit the use of light.
An image of the first floor balcony.
Another opportunity for hanging displays or advertising.
A view of the museum entrance area.
Could this be used in a way that draws the public into the museum?
Other opportunities to display advertising
Another viewpoint of the balcony.
Inside the first entrance door.
This area could also be used to advertise or provide information about the exhibition.
Another view showing information about the British Art Show 7. Advertised very discreetly?????
Floor plan with museum guides.
Could we make better use of this wall space?
All of the wall spaces between the glass cabinets on the ground floor are nicely lit from above.
Could we utilise this TV monitor.
There is a large amount of unused space above each of the display cabinets on the ground floor.
Maybe spaces between radiators could be utilised.
Or the centre of the light fittings themselves.
The cafe has three cabinets like this which could be used to display pieces from our exhibition.
This photograph here shows a her back from the camera; which suggests that she doesn't want her face to be shown, the despair in the way she has placed her self on the skip. The black and white photograph shows it all, the despair, the agony of longing of wanting to be needed, the tragedy of being alone and forgotten about.
The lyrics are shown below:
Has no one told you she's not breathing?
Hello, I am your mind giving you someone to talk to
Hello
If I smile and don't believe
Soon I know I'll wake from this dream
Don't try to fix me, I'm not broken
Hello I am the lie living for you so you can hide
Don't cry
Suddenly I know I'm not sleeping
Hello, I'm still here
All that's left of yesterday
In this photograph on the the left, shows a girl laying in a position as a boy would; she shows the edginess in her face features and her body. the converses, the hols in tights, the droopy shirt. The photograph looks cold, the structure of it doesn't look appealing.Rehearse to me, ye sacred Sisters nine,
The golden brood of great Apolloes wit,
Those piteous plaints and sorowfull sad tine
Which late ye powred forth as ye did sit
Beside the silver springs of Helicone,
Making your musick of hart-breaking mone!
For since the time that Phoebus foolish sonne,
Ythundered, through loves avengefull wrath,
For traversing the charret of the Sunne
Beyond the compasse of his pointed path,
Of you, his mournfull sisters, was lamented,
Such mournfull tunes were never since invented.
Nor since that faire Calliope did lose
Her loved twinnes, the dearlings of her ioy,
Her Palici, whom her unkindly foes,
The Fatall Sisters, did for spight destroy,
Whom all the Muses did bewaile long space,
Was ever heard such wayling in this place.
For all their groves, which with the heavenly noyses
Of their sweete instruments were wont to sound,
And th'hollow hills, from which their silver voyces
Were wont redoubled echoes to rebound,
Did now rebound with nought but rufull cries,
And yelling shrieks throwne up into the skies.
The trembling streames which wont in chanels cleare
To romble gently downe with murmur soft,
And were by them right tunefull taught to beare
A bases part amongst their consorts oft;
Now forst to overflowe with brackish teares,
With troublous noyse did dull their daintie eares.
The ioyous Nymphes and lightfoote Faeries
Which thether came to heare their musick sweet,
And to the measure of their melodies
Did learne to move their nimble-shifting feete,
Now hearing them so heavily lament,
Like heavily lamenting from them went.
And all that els was wont to worke delight
Through the divine infusion of their skill,
And all that els seemd faire and fresh in sight,
So made by nature for to serve their will,
Was turned now to dismall heavinesse,
Was turned now to dreadfull uglinesse.
Ay me! what thing on earth, that all thing breeds,
Might be the cause of so impatient plight?
What furie, or what feend, with felon deeds
Hath stirred up so mischievous despight?
Can griefe then enter into heavenly harts,
And pierce immortall breasts with mortall smarts?
Vouchsafe ye then, whom onely it concernes,
To me those secret causes to display;
For none but you, or who of you it learnes,
Can rightfully aread so dolefull lay.
Begin, thou eldest sister of the crew,
And let the rest in order thee ensew.
IDEA FOR CASTE
As a group, we decided to create a caste of a hand and a face, moulded out of mod rock and latex. I created one which i used my own hand, the others worked together in their practical. The initial idea what to put a scroll in each hand that identifies the nine muses, talking about their speciality in powers such as comedy, music, tragedy, poetry etc. I took pictures of what Beth and Paul were creating, unfortunately i took it on phone and it took forever to download, so they will hopefully be up soon.
Another idea that i thought, maybe instead of writing on a scroll and place it in the hand, i thought of writing on the hand, it could be a poem, quotes, lyrics etc, illustrations of what the muse represents.
EURTERPE: THE MUSE OF MUSIC
Euterpe was one of the nine muese, the goddess of music, song and dance. She means ''giver of much delight''. She was in possession of joy, pleasure and flute playing, her attribe was the double flute.
Here is a poem regarding the muse :
And lightly waked it to a cheerful strain,
Then laid it by, and took the mellow flute,
Whose softly flowing warble filled the plain:
It was a lay that roused the drooping soul,
And bade the tear of sorrow cease to flow;
From shady woods the Nymphs enchanted stole,
While laughing Cupids bent the silver bow,
Fluttering like fays that flit in Luna's softened glow.
'All you have to do is listen' - August Rush.
In the Christmas holidays, I will be travelling to Singapore and Thailand for 3 weeks and abit. For this music piece, i have going to convert a piece entirely out of things around me in the atmosphere instead of composing a piece with musical instruments. This could be the traffic, the wind, the sound of trees, people talking, things going on in the house, things falling on the ground, the waves, bubbles, splashing in the swimming pool, footsteps, anything that involves sound apart from musical instrument. I can record music that is coming out of the radio but when it involves me music. I will be using a software that can compose the music into a sheet of music which includes notes, tabrature etc.
Interrogating space
A copy of the museum's floor plan.
Click on image to enlarge.
The ground floor houses permanent collections in five galleries:
Bringing the world to Plymouth
This space has collections of objects from living cultures in Asia, Africa and Oceania.
Ancient Egypt
A look at life and death in a civilisation that lasted for more than 30,000 years.
Uncovered
Archaeology, including examples of local finds, from graves to tools,weapons and earthenware.
Plymouth: port and place
See how Plymouth has been shaped by the sea, military and conflict.
Explore Nature
Exhibiting specimens from the natural history collection.
The first floor houses permanent collections in three galleries.
Atrium Gallery
A large decorative collection, including examples of Plymouth and Bristol Porcelain.
The China Connection
Discover the origins of porcelain
Cottonian Collection
A collection of oil paintings, old master and English drawings, watercolours, prints and items relating to Sir Joshua Reynolds PRA.
The remaining two galleries on the first floor are dedicated to the museums rolling exhibition programme.
The non-gallery spaces are the entrance area and reception, rest rooms and shop/cafe, also the staircase leading to the first floor.
A definition of museum
From the Greek...Mouseion ' Shrine of the Muses'
www.thefreedictionary.com/museum accessed 18/11/2011
Shrine
A place of religious devotion or commemoration.
A place where devotion is paid to a deity.
The tomb of a saint or other venerated person.
A location where an important event is thought to have occurred.
A container or receptacle for sacred relics.
www.thefreedictionary.com/shrine accessed 18/11/2011
Muse
Greek mythology, any of the nine daughters of Mnemosyne and Zeus, each of whom presided over a different art or science.
A guiding spirit.
A source of inspiration.
A poet.
www.thefreedictionary.com/muse accessed 18/11/2011
As a group we thought the idea of a 'Shrine to the Muses' would provide inspiration for the theme of our project.
01 Where to start
Through developing a curatorial (art) project in response to the specific spaces and collections of the museum, you will demonstrate the relationships between artist, institution and audience.
You will demonstrate critical thinking through the working-through of your ideas into a virtual curatorial project.
Desired outcomes
A completed exhibition proposal in partnership with the Plymouth Museum & Art Gallery.
A critical rationale- to be presented as an explanatory text that is adapted (by students) to various formats including exhibition presentation (10-15mins) and catalogue text.
A completed visual element to accompany the curatorial proposal. (Format to be decided in conjunction with the tutor but possible examples include maquette, diagrammatic presentation, photoshopped representation, etc.)
Other outcomes
Funding proposals
Artist statements
Curatorial statements
Critical review of the exhibition (e.g. for newspaper/ journal etc.)
Possible roles within the team
Manager, curator, artist, writer (catalogue)
Writer (critic), administrator.
Deadline for presentation Thursday 19/01/2012
Wednesday, 7 December 2011
Name, Province and Attributes
Calliope
Attribute: Wax Tablet
Clio
Attribute: Scroll
Euterpe
Attribute: Double flute
Melpomene
Attribute: Tragic mask, ivy wreath
Terpsichore
Attribute: Lyre
Erato
Attribute: Smaller lyre
Polyhymnia
Attribute: Depicted veiled and pensive
Urania
Attribute: Celestial globe
Thursday, 1 December 2011
The Muses
Muse
Muse verb, mused, mus·ing.
Verb (used without object)
1. To think or meditate in silence, as on some subject.
2. To gaze meditatively or wonderingly.
3.to meditate on.
4.to comment thoughtfully or ruminate upon.
Synonyms
1. Cogitate, ruminate, think; dream, ponder, contemplate, deliberate.
Noun
1. Classical Mythology .
a. Any of a number of sister goddesses, originally givenas Aoede (song), Melete (me
ditation), and Mneme(memory), but latterly and more commonly as thenine daughters of Zeus and Mnemosyne who presidedover various arts: Calliope (epic poetry), Clio(history), Erato (lyric poetry), Euterpe (music),Melpomene (tragedy), Polyhymnia (religious music),Terpsichore (dance), Thalia (comedy), and Urania(astronomy); identified by the Romans with theCamenae.
b. Any goddess presiding over a particular art.
2. The goddess or the power regardedas inspiring a poet, artist, thinker, or the like.
3. the genius or powers characteristic of a poet.
Goddesses who inspired men and women; they were proficient in arts, literature and science.
According to the Boeotians, there were originally three daughters, possibly of Uranus and Gaea:
| Aoide | "song" | |
| Melete | "meditation" or "practice" | |
| Mneme | "memory" |
The Boeotian version, say that the Muses lived at Mount Helicon, while the later version say that the Muses' home was near Mount Olympus, in Peiria, Macedon. They were first worshipped by the Aloadae, the twin giants, named Otus and Ephialtes, at Mount Helicon (in Boeotia), which was reputably the place they were born.
The later and more popular version, they say that the Muses were the nine daughters of Zeus and the Titaness Mnemosyne ("Memory"), and were sometimes known as Camenae. Zeus had slept with their mother for nine consecutive nights, so that Mnemosyne could bear nine daughters. They were born and resided in around Peiria.
The Muses presided over arts and science:
| Calliope | Καλλιόπη | "epic poetry" |
| Cleio | Κλειω |
| "history" | ||
| Erato | Ἐρατώ | "love poetry" |
| Euterpe | Ευτερπη | "lyric poetry" |
| Melpomene | Μελπομένη | "tragedy" |
| Polyhymnia or Polhymnia | Πολύμνια | "sacred poetry" |
| Terpsichore | Τερψιχόρη | "choral songs" and the "dance" |
| Thaleia | Θαλία |
| "comedy" | ||
| Urania | Οὔρανια | "astronomy" |
The Muses were known for skill in dancing and music, particularly in singing. They were normally seen around Apollo, the god of music in Olympus.
Calliope was probably the most famous of the Muses. Not only w
as she the eldest sister and their leader, Calliope was also the mother of two great musicians, Orpheus and Linus, either by Apollo or by the Thracian king, named Oeagus, the son of Pierus.
Though, in unknown fragment, one line say that Linus was the son of Urania, Calliope's sister, while in the Contest of Homer and Hesiod, Linus was the son of Apollo and Aethusa, daughter of Poseidon.
Linus tried to teach the young Heracles, but the musician struck the young hero for his poor performance. Heracles struck back with his lyre, instantly killing Linus. Heracles was acquitted of murder, because it was Linus who struck his pupil first.
The Muses were said to have brought up Orpheus, the musician and one of the Argonauts. They taught him singing, while Apollo probably taught him the lyre. The maenads, wo
They sang at the wedding of Cadmus and Harmonia, as well as at Achilles' funeral.
They were sometimes quite vindictive when challenged by mortal musicians. They had blinded Thamyris for his boasting and challenging them. They have turned the daughters of Pierus into magpies, for challenging them in a contest.
They had also blinded the Phaeacian bard, named Demodocus at the court of King Alcinous, in the Odyssey. However, the Muses compensated him by giving Demodocus the gift of song, for taking away his sight.



















